Threefifty - Gently Among the Coals
Threefifty’s
latest album Gently Among the Coals represents a quantum artistic breakthrough
for this New York based band. Each of the eight musicians comprising the band’s
lineup are integral to Threefifty’s ability to stretch and redefine the
boundaries of their sound – this vast command over their sonic palate affords
them a degree of flexibility few bands and artists are fortunate enough to ever
enjoy. Even with the luxuries of studios, like multiple takes and mixing,
Threefifty’s uncluttered blend of many disparate elements is admirable. These
compositions never impose themselves on the listener without offering equal
parts physical and mental provocation in return. The songwriting and
performances depend much on the guitar, but Threefifty show themselves quite
willing to dispense with the instrument when occasion calls. Gently Among the
Coals comes off as a career defining effort thus far and sets the bar high for
anything the band does from this point forward.
“Crossing
State Lines” is, arguably, the closest thing to a straight rock track on Gently
Among the Coals and it does nothing entirely by the book. It does follow the
template of orchestrating things for dynamic effect, but that is a move far
from the providence of rock music alone. The swirling, massing guitars have an
alternating soothing and hypnotic effect. It doesn’t prepare listeners for the
turn the band takes on the second song “Allegiance”. This track is an aching,
almost baroquely staged number that nevertheless rings with utter sincerity.
The elegance of the arrangement and band’s performance may obscure the fine
words, but vocalist Leon Guerrero imbues the lyrics with enormous sensitivity.
“Unanchored” definitely has a pained air, but the melodic sway it achieves
redeems any of its dark atmosphere. There’s a deliberateness to the performance
that’s notable – such an approach, typically, bleeds much of the life out of an
outing, but this number gives off great warmth despite its mood.
Electric
guitar and electronic music come together for great effect on “Until Our Hearts
Give Out”. It’s one of the album’s most effervescent instrumental numbers and
bubbles over with a number of tasty melodies. The band’s folky inclinations
come to the fore in a very lyrical fashion on the song “You Are Going the Right
Way”. It has a lush beauty capable of immediately entrancing listeners.
“Fields” is another of the album’s more vividly rendered tunes. It starts off
in a muted, atmospheric fashion and the intensity slowly climbs. It is largely
instrumental and ends in a particularly memorable way musically, but there are
some key vocals heard in the song’s second half. The direct and eloquent piano
playing opening “Their Place at the Table” is soon joined by keyboard and bass
guitar contributions. Violin comes in and takes over the top line melody with
great results. It ends with a hard hitting conclusion. The finale “Freedman”
takes a final gamble on a fearless album. Threefifty puts this track together
around an evocative electronic setting and takes some surprising turns building
Gently Among the Coals to an impactful climax.
8/10
Montey
Wright
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