The
Spider Accomplice - Los Angeles: The Abduction
This
is the sort of rock release that makes you believe again. It has everything.
When questionably sage figures like Kiss bass player Gene Simmons are
pronouncing the death of rock music, Los Angeles based trio The Spider
Accomplice bring everything to the table. They have the songs, vocals, and
presentation to make them a profound force on the modern music scene. These
songs transcend mere rock labels, though they will undoubtedly appeal to a
broad base of rock fans. Instead, these songs are never abrasive enough, pulse
with enough fury, and push listeners along with compelling melodies to win over
countless fans of every genre. This is deceptively sophisticated music
delivered in a direct way and the songwriting has a focus that never lets up.
Los Angeles: The Abduction is the second EP in the band’s Los Angeles Trilogy
and the six songs compromising this collection deserve your attention.
You
know you’ve encountered something special from the EP’s first cut alone.
“Bromlaid” lays out much of the EP’s emotional mood without ever biting off
more than it can chew, but it’s clear from the expansive guitar textures and
fiery interplay between the players that there’s more than a little ambition
here to burn. They carry it off quite nicely, however, and it’s clear from her
emphatic and highly skilled performance that vocalist VK Lynne is an integral
part of the band’s presentation. It’s seldom clearer than on the album’s second
song “Messy Vampire”. Lynne tears into this dark tale as if her life depended
on it and the band plays with equal artful, but lusty, abandon. It’s one of the
best rock songs on the EP, but there are even stronger cuts to come. “Behold
the Day” and “You Still Lie” are quite a study in contrasts. The first is an
unusual and highly atmospheric song with memorable guitar work and another
outstanding vocal from Lynne that keeps a tight focus on what the song needs.
The second song, “You Still Lie”, has a much more commercial thrust without
ever sinking into just offering up clichés and poses for listeners desiring
such a track. It also plays like one of the EP’s more personal cuts and Lynne’s
awesome passion underscores that without ever being too overwrought.
“Going
Over” is another notable contrast. This is, perhaps, as sensitive as The Spider
Accomplice gets on this release, but that doesn’t mean it stands out as some
misconceived anomaly on the release. Instead, it offers listeners a chance to
hear this unit confidently take an unique turn. The ending number “Hollywood
Hotel” begins with an extended spoken word introduction, complete with ambient
sound effects, before it blisters the skin with a furious rock attack that
makes the earlier “Messy Vampire” sound wimpy. That’s not an easy feat. There’s
plenty here on this EP, however, that’s easy to like despite the challenging
nature, outside the box, of the material. Dedicated musical fans will welcome
this outside the lines approach to the rock genre at this late date and it’s
equally likely that those who’ve never heard this trio will be just as
impressed. This is an exceptional release on every count.
9
out of 10 stars
Bradley
Johnson
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